{"id":166564,"date":"2022-03-08T10:59:48","date_gmt":"2022-03-08T09:59:48","guid":{"rendered":"https:\/\/www.icaib.org\/?p=166564"},"modified":"2022-03-08T11:01:32","modified_gmt":"2022-03-08T10:01:32","slug":"ovacio-merescuda-i-unanime-per-al-grupo-de-teatro-jose-miguel-del-campo-a-la-representacio-de-lobra-atraco-a-las-3","status":"publish","type":"post","link":"https:\/\/www.icaib.org\/ca\/ovacio-merescuda-i-unanime-per-al-grupo-de-teatro-jose-miguel-del-campo-a-la-representacio-de-lobra-atraco-a-las-3\/","title":{"rendered":"Ovaci\u00f3 merescuda i un\u00e0nime per al Grupo de Teatro Jos\u00e9 Miguel del Campo a la representaci\u00f3 de l\u2019obra \u2018Atraco a las 3\u2019"},"content":{"rendered":"<p>Ovaci\u00f3 merescuda i un\u00e0nime per al Grupo de Teatro Jos\u00e9 Miguel del Campo a la representaci\u00f3 de l\u2019obra \u2018Atraco a las 3\u2019<br \/>\n\u00abUn admirador, un amigo, un esclavo, un siervo\u00bb, paraules i riallades gravades a foc en les persones que assistiren a la representaci\u00f3 d\u2019Atraco a las 3. Encara reim amb n\u2019Enriqueta, reina per un dia (Carme Frau); les vaques i la llet Oliver de la rica senyora Vicenta (Teresa Oliver); el cast\u00eds i fan\u00e0tic seguidor de l\u2019Atleti, en Cordero (Javier Capelastegui); l\u2019ardor\u00f3s Ben\u00edtez (Baltasar Covas); la insuperable senyoreta Castrillo (Marta S\u00e1nchez), reconvertida en conductora a la for\u00e7a; tamb\u00e9 les granerades del conserge Mart\u00ednez (Monserrate Santandreu); els geranis i la bonhomia gris de Don Felipe (Juan Pedro Yllanes); el despotisme de Don Prudencio (Luis de la Torre), i, per descomptat, l\u2019inoblidable Fernando Galindo (Joan Cap\u00f3), com esborrar del cap la seva magistral direcci\u00f3 del pla d\u2019assalt o les genuflexions davant la seva admirada dona fatal, la vedet Katia Dur\u00e1n (Gema Peguero)?  <\/p>\n<p>Amb un paper un poc m\u00e9s breu, per\u00f2 igualment imprescindibles damunt l\u2019escenari, aparegueren el g\u00e0ngster Toni (Luis Rodr\u00edguez), les dancing girls (Victoria Mendoza, Ana Mar\u00eda Nigorra i Magdalena Klezcz), l\u2019home dels 20 milions (Toni Cabot) o la clienta del York Club (Antuca Reus).  <\/p>\n<p>A m\u00e9s del delici\u00f3s humor negre omnipresent a l\u2019obra i de la feinada dels actors, han estat del tot necess\u00e0ries per a l\u2019\u00e8xit de la representaci\u00f3 l\u2019empenta i la for\u00e7a de la direcci\u00f3 de Lina Mira, i la bona feina de les persones que s\u2019han encarregat de la il\u00b7luminaci\u00f3, el vestuari, el so, l\u2019assist\u00e8ncia art\u00edstica, l\u2019escenografia, el maquillatge, la coreografia\u2026  <\/p>\n<p>Tot han estat encerts que han fet que el Grupo de Teatro Jos\u00e9 Miguel del Campo s\u2019apunt\u00e0s un nou i rotund \u00e8xit i aconsegu\u00eds l\u2019ovaci\u00f3 general d\u2019un p\u00fablic completament entregat que va omplir la Sala Mozart de l\u2019Audit\u00f2rium de Palma els dos dies de representaci\u00f3. Un aplaudiment un\u00e0nime ben merescut per a un elenc i una direcci\u00f3 que varen fer que els assistents gaudissin de cada escena, de cada di\u00e0leg, de cada instant. Costar\u00e0 veure\u2019ls als jutjats sense recordar-los a l\u2019escenari! <\/p>\n\r\n\t\t\t<a href='https:\/\/www.flickr.com\/photos\/136121428@N03\/sets\/72177720297179267' target='_blank'>\r\n\t\t\t<span style='-moz-box-shadow: 2px 3px 7px rgba(0,0,0,.3);-webkit-box-shadow: 2px 3px 7px rgba(0,0,0,.3);box-shadow: 2px 3px 7px rgba(0,0,0,.3);' class='fusion-imageframe imageframe-dropshadow imageframe-5 hover-type-none'> \t\t\r\n\t\t\t<img src='http:\/\/farm66.staticflickr.com\/65535\/51924148645_24babd9db5_m.jpg' alt='' class='img-responsive'\/><\/span>\r\n\t\t\t<p style='margin-top: 10px'>Teatro Marzo 2022  [49 fotos]<\/p>\r\n\t\t\t<\/a>\r\n\t\t\t\n","protected":false},"excerpt":{"rendered":"<p>Ovaci\u00f3 merescuda i un\u00e0nime per al Grupo de Teatro Jos\u00e9  [&#8230;]<\/p>\n","protected":false},"author":1,"featured_media":166562,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[33],"tags":[],"class_list":["post-166564","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-noticies-icaib"],"_links":{"self":[{"href":"https:\/\/www.icaib.org\/ca\/wp-json\/wp\/v2\/posts\/166564","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.icaib.org\/ca\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.icaib.org\/ca\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.icaib.org\/ca\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.icaib.org\/ca\/wp-json\/wp\/v2\/comments?post=166564"}],"version-history":[{"count":0,"href":"https:\/\/www.icaib.org\/ca\/wp-json\/wp\/v2\/posts\/166564\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.icaib.org\/ca\/wp-json\/wp\/v2\/media\/166562"}],"wp:attachment":[{"href":"https:\/\/www.icaib.org\/ca\/wp-json\/wp\/v2\/media?parent=166564"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.icaib.org\/ca\/wp-json\/wp\/v2\/categories?post=166564"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.icaib.org\/ca\/wp-json\/wp\/v2\/tags?post=166564"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}